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It may in the inimitable words of Ron Perlman be "extremely peculiar," but it's the sort of absolutely original concoction that is too often lacking in the modern world of cinema.Amlie is one of the most gorgeous films in recent memory, and the good news is this new AVC encoded 1080p transfer in 2.35:1 finally reproduces the film's absolutely lush and luscious cinematography largely to a tee.Amelie enjoys simple pleasures until she discovers that her goal in life is to help others.To that end, she invents all sorts of tricks that allow her to intervene incognito into other people's lives, including an imbibing concierge and her hypochondriac neighbor.The term gamine seems destined to be preternaturally linked to women named Audrey.For a prior generation, Audrey Hepburn was the ultimate gamine, but it may turn out that Audrey Tatou eclipses Hepburn herself in terms of the doe-eyed innocence and sweetly vulnerable navete most often associated with the term.This opening gambit is odd in and of itself, but its most fascinating characteristic is that despite being narrated, we don't feel especially removed from Amlie or indeed the many other characters introduced in this sequence.We're thrust headlong into the weird and wonderful world of Amlie, a girl who by fate or circumstance is isolated from the world and especially from other children and who learns to exist within the rather spacious confines of her imagination.
For more about Amlie and the Amlie Blu-ray release, see Amlie Blu-ray Review published by One of my favorite all-time commentary moments was provided by the ever colorful Ron Perlman on his commentary track for the decidedly odd film City of Lost Children, one of a number of wonderful collaborations by Marc Caro and Jean-Pierre Jeunet.As with most Jeunet (or Jeunet-Caro) films, Amlie is a completely quirky outing that combines a completely inventive and captivating production design with a decidedly anti-Hollywood approach to a standard three act, overly structured storyline.Like its breakout star Audrey Tatou, Amlie is full of charm and a sort of innocent sex appeal, idiosyncratic and singularly eccentric and even more than a little bit odd at times.Cinematographer Bruno Delbonnel received a well-deserved Academy Award nomination for his sun drenched work here, a series of images which is absolutely bathed in golden tones that are somehow utterly redolent of the French soul.
The image here is beautifully sharp and extremely well detailed.
Though Amlie was evidently originally written with Emily Watson in mind for its title role, it was an incredible stroke of luck that Tatou ended up in the role, for rarely if ever have an actress and a role been so perfectly married.